• F4
  • F3
  • F2
  • F1

The Textile Research Centre proudly presents our first exhibition in the new building: Khayamiya: Egyptian appliqués from the Street of Tentmakers.

Khayamiya is a textile that is omnipresent in Egypt. The word itself is derived from the Arabic word for tent, namely khayma. Originally, this appliqué technique was mostly used for making hand-sewn tents. Nowadays, khayamiya can also be created using other techniques, such as machine-sewing or (digital) printing. In addition to, for example, tents in (religious) contexts such as weddings and funerals, khayamiya can be used in various shapes and variations. Especially before and during Ramadan, khayamiya tents and decorations are ubiquitous in the Egyptian streets.

Khayamiya, including all the techniques, is an understudied subject often framed as a traditional textile from an (art) historical approach that leaves out the lived experience. Moreover, khayamiya is embedded in an Islamic culture, since Egypt has a Muslim majority. Therefore, it fits in the Muslim world, but it is not addressed as an Islamic or a religious artefact. Khayamiya is used as an atmosphere maker that can create an Islamic setting, but can also be used by other (non-)religious groups. Since khayamiya is not seen as sacred itself, it can be used for many purposes, such as heritage in a museum or as an art project.

This exhibition is co-curated by Christina de Korte. Her interdisciplinary approach used in her research touches upon three sets of themes, namely material culture and Islam, popular culture and piety, and living heritage. By following the routes of various types of khayamiya through Cairo’s streets—focused on the contemporary usages before and during Ramadan—and taking courses in the Street of the Tentmakers, Christina de Korte analyzes in which ways khayamiya is part of an Islamic world.

Christina de Korte is a visual artist and textile researcher. She learned how to make khayamiya in the Street of the Tentmakers in Cairo whilst doing her research on the technique and the contemporary khayamiya usages before and during Ramadan. Christina recently graduated from the research master’s program in Religious Studies at Utrecht University and holds bachelor’s degrees in Fine Art from the HKU University of Arts Utrecht and Language and Culture Studies from Utrecht University.

Programme:

  • 15.30: Doors open.
  • 16.00: Welcoming words from Dr. Gillian Vogelsang-Eastwood.
  • 16.15: Opening of the exhibition by H.E. Mr. Emad Magdy Hanna Kamel
  • 16.30: Christina de Korte, co-curator, elaborates on her experience learning Khayamiya in Cairo.
  • 17.00: Refreshments.
  • 18.00: End of the event.

This event takes place at the Boerhaavelaan 6.

Please register through: This email address is being protected from spambots. You need JavaScript enabled to view it.


Search in the TRC website

Contact

Boerhaavelaan 6
2334 EN Leiden.
Tel. +31 (0)6 28830428  
office@trcleiden.org 

facebook 2015 logo detail 

instagram vernieuwt uiterlijk en logo

 

 

Bank account number

NL39 INGB 0002 9823 59, in the name of the Stichting Textile Research Centre.

TRC closed until 4 May 2026

The TRC is closed to the public until Monday, 4 May 2026, due to our move to the Boerhaavelaan. The TRC remains in contact via the web, telephone and email. For direct contact and personal visits, please contact the TRC at office@trcleiden.org, or by mobile, 06-28830428.

Donations

The TRC is dependent on project support and individual donations. All of our work is being carried out by volunteers. To support the TRC activities, we therefore welcome your financial assistance: donations can be transferred to bank account number (IBAN) NL39 INGB 000 298 2359, in the name of the Stichting Textile Research Centre. BIC code is: INGBNL2A.

 You can also, very simply, if you have an iDEAL app, use the iDEAL button and fill in the amount of support you want to donate: 
 

 

 

Since the TRC is officially recognised as a non-profit making cultural institution (ANBI), donations are tax deductible for 125% for individuals, and 150% for commercial companies. For more information, click here