Dura Europos was a border city built on an escarpment above the Euphrates river. The site is located near the modern village of Salhiye in Syria. The city is believed to have been founded around 303 BC at an intersection of east-west trade routes between Central Asia/China, Iran and the Mediterranean Sea and a north-south route up and down the Euphrates.
The fortress of Halabiyeh, ancient Zenobia, lies along the Euphrates River near the modern city of Deir ez Zor, Syria, about 200 km northwest of another ancient site, Dura Europos. Halabiyeh is first mentioned in a list of Assyrian settlements from c. 1040 BC. The town became an important trading centre between east and west, and remained inhabited until at least the seventh century AD.
The ancient city of Palmyra, Biblical Tadmor, lies in an oasis to the northeast of Damascus, in Syria. It was an important caravan city for goods being transported across the Syrian desert to and from the Eastern Mediterranean and Iran, Central Asia and China. The decline of Palmyra started in the early third century AD and by c. AD 800 much of the city had been abandoned. By the medieval period it was reduced to an oasis village. The site was seriously damaged by ISIS in the mid-2010s.
Horizontal cross stitch couching is a variation on couching, whereby a horizontal cross stitch is used to fasten down the laid threads rather than using other forms of stitches. This type of stitch is used for free-style embroidery. It is also associated with North African and Middle Eastern embroidery.
Brick stitch couching is a variation on couching, whereby a brick stitch is used to fasten down the laid threads rather than using other forms of stitches. This type of stitch is used for free-style embroidery. It is also associated with North African and Middle Eastern embroidery.
Chain stitch couching is a variation on couching, whereby a detached chain stitch is used to fasten down the laid threads rather than other forms of stitches. This type of stitch is used for free-style embroidery. It is also associated with North African and Middle Eastern embroidery.
Fly stitch couching is a variation on couching, whereby a fly stitch is used to fasten down the laid threads rather than other forms of stitches. This type of stitch is used for free-style embroidery. It is associated with North African and Middle Eastern embroidery.
The split chain stitch is a variation on a chain stitch, whereby the working thread is taken under the ground cloth, but instead of it coming up at the bottom of the loop, the point of the needle ‘splits’ the working thread. This type of stitch is used for free-style embroidery.
This illustration shows an example of an Egyptian appliqué Mamluk emblem that dates to the fifteenth or sixteenth centuries. Such emblems were used to show a man’s rank within the bureaucracy of the Mamluk empire. The emblem is made out of a yellow woven cloth with appliquéd mid-blue and light blue, red and white woollen cloth. Each of the devices is outlined in a couched, cotton cord.
Illustrated here is an example of a leather Mamluk emblem that dates to the fifteenth century or slightly earlier. This particular example takes the form of a triple field shield with devices in the form of a diamond and two chalices.
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The medieval Mamluk rulers (1250-1517) of Egypt developed a system of emblems to signify and identify the role of courtiers serving under the various sultans. Some of the emblems are very simple, others are complex. They were used to decorate a variety of different materials, such as glass, metal, paintings, stone, stucco, as well as textiles (appliqué, embroidered, woven forms).
A blazon is originally a medieval term for a coat of arms. The word derives from the Old French blason for 'shield'. The term is used in heraldry for the formal description of a coat of arms, and for the design of a coat of arms itself. Blazons are displayed on a wide range of materials, notably glass, metal and stone. In addition, they are sometimes displayed in woven, appliqué and embroidered forms.
Young Yang CHUNG (c. 1936) is a South Korean textile historian and vembroiderer who specialises in traditional East Asian textiles. She was born in Seoul, but during the Korean War (1950-1953) she and her family sought refuge in a village southwest of the capital. Here she is said to have taught local women to embroider in the Western (French) style and where she learnt about Korean styles of embroidery.
The Chung Young Yang Embroidery Museum is an educational, exhibition and research facility dedicated to embroidery and the textile arts, especially those from East Asia. The museum is part of Sookmyung Women’s University, Seoul, Korea. The university was established in 1907 by the then Korean royal family. The Museum was established by Dr. CHUNG Young Yang and opened in May 2004.